Art Statement
Nature as Inspiration. Art as Tool.
This is the foundation of my work.
Inspired by nature, my practice grows through rhythm, repetition, and simple visual forms. I create spaces and actions that invite to slow down, observe, and interact. My work moves between installation, performance, participatory formats, and editorial projects. Minimalism shapes both the visuals and the materials, using recycled, found, or natural elements to reduce consumption.
Through minimal gestures, natural materials, and open structures, I approach art as a tool for interaction, participation, and collaboration. The artwork becomes both piece and experience.
In all its forms, the approach remains the same: simplicity, openness, and attention to the present moment.
The work is not only meant to be viewed, but experienced.
Bio
Self-taught artist with a background in political science, journalism, and languages. She has worked as a researcher, writer, educator, and independent publisher, contributing to public discourse through media and institutional contexts.
Along side this path, she performed as a professional dancer and musician, collaborating with recognized artists across disciplines and countries. This experience influenced her approach to knowledge — from theory to lived experience — and remains central to how movement and rhythm shape her work.
Today, her practice operates at the intersection of research, movement, and visual communication, through different materials and participative formats.
Writing & Ongoing Research
Essays and studio notes accompanying the artistic research are published regularly on Substack.